Éö¤ÎLifeStyleConcierge¡Á¤è¤¦¤³¤½¡Á
Previous Posts
Previous Posts
PROFILE
LINKS
SELECTED ENTRIES
RECENT COMMENTS
  • ¥È¥Þ¥¹¡¦¥²¥¤¥ó¥º¥Ð¥é¡ÊThomas Gainsborough)
    ¢Í ¤ß¡¼¤¿¤ó (06/17)
  • ÈëÌ©¤ÎÀµ¼¼ ¥Þ¥ó¥È¥Î¥ó¸ô¼ßÉ׿Í
    ¢Í ¥é¥«¥ó (05/21)
  • 100ǯÁ°¤ÎVOGUE¡¡1909ǯ ¥¢¡¼¥Ä¡¦¥¢¥ó¥É¡¦¥¯¥é¥Õ¥Ä±¿Æ°¤Îɽ»æ¡¡1892ǯ ¥ô¥©¡¼¥°ÁÏ´©¤Îɽ»æ
    ¢Í »ûÅç¡¡Æ× (04/30)
  • ¥µ¥ó¡á¥Æ¥°¥¸¥å¥Ú¥ê¤Îé¬é¯¤È¹á¿å
    ¢Í Éö (07/03)
  • ¥µ¥ó¡á¥Æ¥°¥¸¥å¥Ú¥ê¤Îé¬é¯¤È¹á¿å
    ¢Í tabasa (07/03)
  • ¥¸¥ç¥ó¡¦¥á¥ê¥Ã¥·¥å¡¦¥¹¥È¥é¥É¥ô¥£¥Ã¥¯¡¡°Â³Ú¤ÎÌ´¡¢°Â³Ú¤Î²Î¶Ê
    ¢Í Éö (03/14)
  • ¥·¥§¥¤¥¯¥¹¥Ô¥¢¡Ö¥Ï¥à¥ì¥Ã¥È¡×¤«¤é¡¡°¦¤·¤Î¥ª¥Õ¥£¡¼¥ê¥¢
    ¢Í Éö (03/14)
  • ¥¸¥ç¥ó¡¦¥á¥ê¥Ã¥·¥å¡¦¥¹¥È¥é¥É¥ô¥£¥Ã¥¯¡¡°Â³Ú¤ÎÌ´¡¢°Â³Ú¤Î²Î¶Ê
    ¢Í E=MC2 (03/09)
  • ¥·¥§¥¤¥¯¥¹¥Ô¥¢¡Ö¥Ï¥à¥ì¥Ã¥È¡×¤«¤é¡¡°¦¤·¤Î¥ª¥Õ¥£¡¼¥ê¥¢
    ¢Í gochin (02/14)
  • ¼Ì¿¿À°Íý¡¡40¿ôǯÁ°¤Î¼Ì¿¿(¾¼ÏÂ40ǯÂå¡Á¡Ë
    ¢Í Éö (10/19)
RECENT TRACKBACK
  • ¥¢¥¬¥µ¡¦¥¯¥ê¥¹¥Æ¥£¡¼ ¡Ö̵¼Â¤Ï¤µ¤¤¤Ê¤à¡× ¥è¥Ö¤Î¶ìǺ
    ¢Í RE+nessance (07/10)
  • Dear, dear Norland¡¡¥Þ¥ê¥¢¥ó¤Îò¤­ ¡ÖʬÊ̤È¿´¶¡×Âè5¾Ï¡¡ÈéÆù¤Ê¿ÍÀ¸
    ¢Í KOBAKO (04/27)
  • ¥Ï¥Î¡¼¥ô¥¡¡¼Ä«¡¡±Ñ¹ñ¤ÎÈþ¾¯½÷»ÐË夿¤Á¤È¥ª¡¼¥¹¥Æ¥£¥ó¤Î»ÐË夿¤Á
    ¢Í RE+nessance (04/25)
  • ¥¸¥ç¥ó¡¦¥À¥ó¥«¥ó¡¡¿ÀÏäÈÅÁ¾µ¤Î¿Í¡¹¤Î¹Ô¿Ê ¡Ö°¦¤Î²¾ÌÌ¡×
    ¢Í RE+nessance (03/13)
  • ¥Ç¥£¡¼¥Î¡¦¥Ð¥ë¥¹ ¥¤¥ô¤Î¸¶ºá
    ¢Í RE+nessance (02/07)
  • ¥·¥§¥¤¥¯¥¹¥Ô¥¢¤Î¸ÀÍÕÍ·¤Ó¡¡¥ª¥Õ¥£¡¼¥ê¥¢¤Î¥Ø¥ó¥ë¡¼¥À¡¼
    ¢Í remove (12/11)
  • ¥·¥§¥¤¥¯¥¹¥Ô¥¢¤Î¸ÀÍÕÍ·¤Ó¡¡¥ª¥Õ¥£¡¼¥ê¥¢¤Î¥Ø¥ó¥ë¡¼¥À¡¼
    ¢Í RE+nessance (12/11)
  • ¥«¥ß¡¼¥æ¡¦¥Ô¥µ¥í¤Î©»Ò¡¡¥ê¥å¥·¥¢¥ó¤Î¥ª¥Õ¥£¡¼¥ê¥¢
    ¢Í XAI (11/19)
  • ¥ª¥Õ¥£¡¼¥ê¥¢¡¡ Ophelia
    ¢Í Life £Ó£ô£ù£ì£å Concierge Private (11/17)
  • ½©¤Î¥³¥ó¥µ¡¼¥È¤«¤é ¥Ý¥Ã¥×¥¹¡õ¥·¥ã¥ó¥½¥ó ¥Õ¥é¥ó¥»¡¼¥º¡Ê¥Õ¥é¥ó¥¹¤Î²Î¡Ë
    ¢Í remove (10/20)
CATEGORIES
ARCHIVES
RECOMMEND
Remaining Flowers
Remaining Flowers ¡ÊJUGEM¥ì¥Ó¥å¡¼ »¡Ë
Daniel Ost, Jean-Pierre Gabriel, Robert DeWilde
Remaining Flowers

½ÐÈǸ夹¤°¤ËÉÊÀÚ¤ì¤È¤Ê¤ê¡¢½éÈÇËܤË6Ëü±ß¤Î¥×¥ì¥ß¥¢¤¬¤Ä¤¤¤¿ÅÁÀâŪ¤ÊÂè1ºîÌܺîÉʽ¸¤È¡¢1993ǯ¤Ë½ÐÈǤµ¤ì¤¿Âè2ºîÌܺîÉʽ¸¤ÎÃ椫¤éÈ´¿è¤µ¤ì¤¿Éü¹ïÈǺîÉʽ¸¡£
RECOMMEND
Leafing Through Flowers
Leafing Through Flowers ¡ÊJUGEM¥ì¥Ó¥å¡¼ »¡Ë
Daniel Ost
À¤³¦°ìÈþ¤·¤¤ËÜ


±Ñ¹ñ¤Î¥É¥ó¥µ¥¤¥ÉŸ¤Ç¡ÖÀ¤³¦°ìÈþ¤·¤¤ËÜ¡×ÉôÌç¤Ç¶ä¾Þ¤ò¼õ¾Þ¤·¤¿¥À¥Ë¥¨¥ë¡¦¥ª¥¹¥È¤ÎÂè3ºîÌܺîÉʽ¸¤Ç¤¹¡£
RECOMMEND
¥¤¥ó¥¹¥¿¥ì¡¼¥·¥ç¥ó
¥¤¥ó¥¹¥¿¥ì¡¼¥·¥ç¥ó ¡ÊJUGEM¥ì¥Ó¥å¡¼ »¡Ë
¾¾Èø ÂÀ°ì¡£
¥¤¥ó¥¹¥¿¥ì¡¼¥·¥ç¥ó


¡Ö²Ö¤Ï¡¢¤¢¤¯¤Þ¤Ç¤â¼çÌò¤ò°ú¤­Î©¤¿¤»¤ë¤À¤±¤Îź¤¨Êª¤Ç¡¢ÌÜΩ¤Á¤¹¤®¤Æ¤Ï¤¤¤±¤Ê¤¤¤¬¡¢Åº¤¨Êª¤È¤·¤ÆºÇ¤âÁÇŨ¤Ê¤â¤Î¡×
RECOMMEND
RECOMMEND
Monet in the 20th Century
Monet in the 20th Century ¡ÊJUGEM¥ì¥Ó¥å¡¼ »¡Ë
Claude Monet, Mary Anne Stevens, George T. M. Shackelford, Royal Academy of Arts (Great Britain), Michael Leja, Boston Museum of Fine Arts
RECOMMEND
RECOMMEND
RECOMMEND
RECOMMEND
RECOMMEND
RECOMMEND
RECOMMEND
RECOMMEND
The Jewels of Lalique
The Jewels of Lalique ¡ÊJUGEM¥ì¥Ó¥å¡¼ »¡Ë
Rene Lalique, Sigrid Barten, Yvonne Brunhammer, Cooper-Hewitt Museum, Smithsonian Institution, Dallas Museum of Art
RECOMMEND
RECOMMEND
The Floral Art of Pierre-Joseph Redoute
The Floral Art of Pierre-Joseph Redoute ¡ÊJUGEM¥ì¥Ó¥å¡¼ »¡Ë
Marianne Roland Michel, Peter C. Sutton, Carolyn Rose Rebbert, Cynthia A. Drayton
RECOMMEND
RECOMMEND
RECOMMEND
RECOMMEND
RECOMMEND
MOBILE
qrcode
̵ÎÁ¥Ö¥í¥°ºîÀ®¥µ¡¼¥Ó¥¹ JUGEM
SPONSORED LINKS

04
--
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
--
>>
<<
--
Æü¡¹¤ÎÀ¸³èÈþ

Life £Ó£ô£ù£ì£å Concierge

¥¹¥Ý¥ó¥µ¡¼¥µ¥¤¥È

°ìÄê´ü´Ö¹¹¿·¤¬¤Ê¤¤¤¿¤á¹­¹ð¤òɽ¼¨¤·¤Æ¤¤¤Þ¤¹

| - | | - | - | pookmark |
¥â¡¼¥ê¥¹¡¦¥É¥Ë¡¡¡Á ¥É¥Ë¤ÎÃæ¤Î¥É¥Ë by Éö ¡Á
¥¢¥â¡¼¥ë 12¿§ÀÐÈDzè ɽ»æ L'ÉCHELLE DANS LE FEUILLAGE ¡¢Cover¡ÖAmour 12 color lithographs¡×1895ǯ¥É¥Ë½é¿´¼Ô¤À¤È¤¤¤¦ ">mari ¤Á¤ã¤ó¤¬¡¢¡Ö¥É¥Ë¤ÎÃæ¤Î¥É¥Ë¡×¤Ê¤ó¤Æ¡¢ß§ß·Î¶É§»á¤Î¤è¤¦¤Ê¥¿¥¤¥È¥ëµ­»ö¤Ç¡¢¤È¤Ã¤Æ¤â¤ä¤µ¤·¤¤É÷¹ç¤¤¤ÎºîÉʤò¥¢¥Ã¥×¤·¤Þ¤·¤¿¡£

¤½¤ì¤Ç¡¢Éö¤Î¥É¥Ë¤ÎÃæ¤Î¥É¥Ë¤Ï¡¢¥¢¥â¡¼¥ë¡Ê¥¢¥à¡¼¥ë¡Ë¤Îɽ»æ¤Ç¤¹¡£ºÇ¸å¤ËÁǿͲòÀ⤷¤Þ¤¹¤Í¡£

¥É¥Ë¤ÎºîÉʤò¥¢¥Ã¥×¤¹¤ë¤Î¤Ï¡¢Æñ¤·¤¤¤Í¡¢¥Û¥ó¥È¡£

£Í£Á£Ë£É¤Á¤ã¤ó¤¬¡¢¥´¡¼¥®¥ã¥ó¤Î¥³¥á¥ó¥È¤Ë¡¢¤³¤ó¤Ê¥á¥Ã¥»¡¼¥¸¤òÆþ¤ì¤Æ¤¤¤Þ¤·¤¿¡£
¥´¡¼¥®¥ã¥ó¤Ã¤Æ¡¢À¨¤¤¿§»È¤¤¤ò¤·¤Æ¤¿¤È»×¤¦¤ó¤À¤è¤Í¡£¤À¤«¤é¡¢²¼¼ê¤Ê°õºþʪ¤ä¥Ý¥¹¥È¥«¡¼¥É¤«¤é¤Ï¡¢¤¹¤Ã¤´¤¤ÌîÊë¤Ã¤¿¤¯¤Ê¤Ã¤¿¤ê¤¹¤ë¤¸¤ã¤Ê¤¤¡©Áǿͤµ¤ó¤¬¡¢¥Ù¥¿¤Ê²èÁü¤ò¿®¤¸¤Á¤ã¤¦¤Î¤¬¤³¤ï¤¤¤è¤Í¡£
¤½¤Î¤È¤ª¤ê¤Ç¡¢»ä¤Î¤Ê¤«¤Ë¥É¥Ë¤Ã¤Æ¥Ñ¥ë¥Æ¥ë¤Î¥¤¥á¡¼¥¸¤¬¤¢¤Ã¤¿¤ó¤Ç¤¹¤Í¡£¤È¤³¤í¤¬¡¢ËÜʪ¤Ë¤Á¤«¤¤¥ì¥×¥ê¥«¤Ê¤É¤«¤é¡¢¤¿¤·¤«¤Ë¥Ñ¥¹¥Æ¥ëÄ´¤ÎºîÉʤ⤢¤ë¤ó¤Ç¤¹¤¬¡¢¥É¥ß¥Ê¥ó¥È¥È¡¼¥ó¤Ç¤¢¤Ã¤¿¤ê¤¹¤ë¤ï¤±¤Ç¤¹¡£

¤Á¤«¤´¤í¡¢¥É¥Ë¤Î¥Ú¡¼¥ë¥È¡¼¥ó¤Ê¤É¡¢¤Û¤ó¤È¤¦¤Ë¤³¤Î¿§¡©¤Ã¤Æµ¿¤Ã¤Á¤ã¤¦»ä¡£¥É¥Ë¤Î¾ì¹ç¡¢¤Û¤ó¤Î¾¯¤·¤Î¿§¤Î°ã¤¤¤Ç¡¢ºîÉʤò¥Þ¥¤¥Ê¥¹¤Ê¥¤¥á¡¼¥¸¤Ë¤·¤Æ¤·¤Þ¤¦¡£

¤Ê¤ë¤Ù¤¯¡¢¤É¤Î²è²È¤ÎºîÉʤ⡢¶á¤¤¤â¤Î¤òÁª¤ó¤À¤ê¤¹¤ë¤Î¤Ç¤¹¤¬¡¢¤»¤Ã¤«¤¯Áª¤ó¤Ç¤â¡¢¥¹¥­¥ã¥Ê¤Ë¤«¤±¤ÆÊÑ¿§¤¹¤ë¾ì¹ç¤¬¤¢¤ë¤ó¤Ç¤¹¤Í¡£

¡ÖÌÚ¤ÎÍդγ¬ÃÊ¡ÊÍÕ¤ÎÃæ¤ÎÄô»Ò¡Ë¡×¥â¡¼¥ê¥¹¡¦¥É¥Ë(¥ë¡¦¥×¥ê¥¥¥ì)Èþ½Ñ´Û½ê¢ 1892ǯ Maurice Denis. Ladder in the Leaves or Poetic Arabesques used for the Decoration of a Ceiling/L'Echelle dans le feuillage ou Arabesques poétiques pour la décoration d'un plafond. 1892. Oil on canvas mounted on cardboard. Musée Départemental du Prieuré, Saint-Germain-en-Laye, France.

¤µ¤Æ¡¢ºÇ½é¤ÎºîÉʤΥ¢¥â¡¼¥ë¤Îɽ»æ¤È¤Ï¡¢¡Ö¥¢¥â¡¼¥ë 12¿§ÀÐÈDzè¡×¤Îɽ»æ¤À¤È»×¤ï¤ì¤Þ¤¹¡£1895ǯ¤Î¤â¤Î¤Ç¡¢¥¯¥ê¡¼¥Ö¥é¥ó¥ÉÈþ½Ñ´Û¤Ë¤¢¤ê¤Þ¤¹¡£¥¢¥â¡¼¥ë¤Ï¡¢¥¯¥Ô¥É¤Î¤³¤È¤Ç¤·¤ç¤¦¤«¡£¤½¤¦¤¹¤ë¤È¡¢¤³¤Îɽ»æ¤Ï¥×¥·¥å¥±¤Ç¤Ï¤Ê¤¤¤«¤È¡£²Ö¤Ë¼ê¤ò¤«¤±¤Æ¤¤¤ë¤Î¤Ç¡¢À¾É÷¥¼¥Õ¥£¥í¥¹¤ËÏ¢¤ì¤é¤ì¤Æ¡¢¥¯¥Ô¥É¤ÎÄí±à¤ËÆþ¤ê¹þ¤ó¤À¤È¤³¤í¡£¤³¤Îʪ¸ì¤Î¾ÜºÙ¤Ï¤³¤Á¤é¡£
¥â¡¼¥ê¥¹¡¦¥É¥Ë¡¡¥¯¥Ô¥É¤È¥×¥·¥å¥±¤Îʪ¸ì¡¡¼·¤Ä¤ÎºîÉÊ
2ËçÌܤϡ¢¥â¡¼¥ê¥¹¡¦¥É¥Ë(¥ë¡¦¥×¥ê¥¥¥ì)Èþ½Ñ´Û½ê¢¤Î¡ÖÌÚ¤ÎÍդγ¬ÃÊ¡ÊÍÕ¤ÎÃæ¤ÎÄô»Ò¡Ë¡×¡Ê1892ǯ¡Ë¤Ç¤¹¤¬¡¢¤â¤Î¤¹¤´¤¯Ä¹¤¤¥µ¥Ö¥¿¥¤¥È¥ë¤¬¤Ä¤¤¤Æ¤¤¤Þ¤¹¡£Í×Ì󤹤ë¤È¡¢¡Ö¥¢¥é¥Ó¥¢É÷¤Î»í¤Ë¡¢¥¢¥é¥Ù¥¹¥¯ÌÏÍͤÎÁõ¾þ¡×¤È¤Ê¤ê¤Þ¤¹¤¬¡¢¤³¤ÎºîÉʤγ۱ï¤Ï¡¢¥É¥Ë¤Î¥Ç¥¶¥¤¥ó¤Î¤â¤Î¡£¥¢¥é¥Ù¥¹¥¯ÌÏÍͤÎÍդǤ¹¡£

Ãç´Ö¤¦¤Á¤ÇºÇ½é¤Ë¥É¥Ë¤Îµ­»ö¤ò¥¢¥Ã¥×¤·¤¿Sai¡£ÌܤΤĤ±¤É¤³¤í¤¬°ã¤¤¤Þ¤¹¤Í¡£¥Ê¥ÓÇɤǡ¢ÍýÏÀÇɤΥɥˤò¡¢¼«¿È¤Î½¸ÃľÓÁü²è¤«¤é¾Ýħ¤·¤Æ¤¤¤Þ¤¹¡£

ÃˤÎÊý¤Ã¤Æ¡¢¤½¤¦¤¤¤¦ºîÉʹ¥¤­¤Ç¤¹¤Í¡£²è²È¤Î¥×¥í¥Õ¥£¡¼¥ë¤ò¿äÍý¤¹¤ë¤Î¤¬³Ú¤·¤¤¤Î¤Í¡£


¥â¡¼¥ê¥¹¡¦¥É¥Ë´ØÏ¢µ­»ö
*¥Ô¥¨¥¿
*¼õÂÛ¹ðÃÎ
*¥»¥¶¥ó¥ÌÎ黿
ºîÉÊÃæ¤ËÉÁ¤«¤ì¤Æ¤¤¤ë¥»¥¶¥ó¥Ì¤Î¡Ö²Ìʪȭ¤Î¤¢¤ëÀÅʪ¡×¤Ë¥ê¥ó¥¯¡¢¥É¥Ë¤ÎÌϼ̡¢´ª°ã¤¤¤·¤Æ¤¤¤¿¥»¥¶¥ó¥Ì¤ÎºîÉʤʤɤβèÁü¤¬ÄɲäȤʤäƤ¤¤Þ¤¹¡£
*¥¨¥Þ¥ª¤ÎÈÕ»Á
*¥Ð¥Ã¥«¥¹º×
*Åã¤Î²Ö²Ç¡¡¥Ú¥ì¥¢¥¹¤È¥á¥ê¥¶¥ó¥É¤«¤é
*¥É¥Ë ¥Ý¡¼¥È¥ì¡¼¥È¡¿¥¢¥à¡¼¥ë ¥ê¥È¥°¥é¥Õ¡¿Â¾¥ê¥È¥°¥é¥Õ
*±Ê±ó¤Ê¤ë½Õ¡¿Ï»·î¤Î½Õ
*Äí±à¤ò¹Ô¤¯¾¯½÷¤¿¤Á
*¥â¡¼¥ê¥¹¡¦¥É¥Ë Å·¹ñ
*̵Âê ¿åºÌ¥ê¥È¥°¥é¥Õ/½Õ·Ê¿§
*¥´¡¼¥®¥ã¥ó¤Î²«¿§¤¤¥­¥ê¥¹¥È¡¡¥É¥Ë¤Î²«¿§¤¤¥­¥ê¥¹¥È
*¥â¡¼¥ê¥¹¡¦¥É¥Ë¡¡¥¯¥Ô¥É¤È¥×¥·¥å¥±¤Îʪ¸ì¡¡¼·¤Ä¤ÎºîÉÊ
*½¬ºî ½Õ¤Î¿¹¡¿"Trestrignel"³¤´ß¤ÎÉÍÊÕ¡¿ÎФÎÌÚ¡¿¥ª¥ë¥Õ¥§¥¹¤È¥¨¥¦¥ê¥å¥Ç¥£¥±¡Ê¥¨¥¦¥ê¥Ç¥£¡¼¥Á¥§¡Ë
*¥Ô¥í¥¦¤È¥·¥ó¥Ü¥ë¥¦¥¹¡¢¥Ç¥Ú¥·¥å¥È¥ï¡¡¡Ý¡¡¥È¥¥¡¼¥ë¡¼¥º¡¢¥¨¥ó¥¸¥§¥ë¡¢¥Þ¥À¥à¡¦¥é¥ó¥½¥ó¤ÈÇ­¡¢½Õ¤Î¿¹ÎÓ¡¢¥¤¡¼¥¹¥¿¡¼¡¦¥ß¥¹¥Æ¥ê¡¼¢ªhttp://magnummasse.blogtribe.org/
| ART&ARTIST | 00:00 | comments(8) | trackbacks(16) | pookmark |
¥¸¥ç¥Ð¥ó¥Ë¡¦¥Ü¥Ã¥«¥Ã¥Á¥ç, Giovanni Boccaccio
¥Ç¥£¥¢¥Ê¤Î¼íÎÄ¡¡La caccia di Diana ¥Õ¥é¥¹¥³²è¡¡ºî¼ÔÉԾܤǤ¹¤¬¡¢¾ãÊɲè¡Ö ¥¢¥Õ¥í¥Ç¥£¥Æ¡¦¥¢¥Ê¥Ç¥å¥ª¥á¥Í¡×¤Î¥¢¥Ú¥ì¥¹¤Ç¤Ï¤Ê¤¤¤«¤È¡¦¡¦¡¦¡£ÈþËƤÈÍ¥²í¤µ¡¢¤½¤·¤ÆÍø¸ý¤Ç¤ªÏþå¼ê¤Ê¥Ü¥Ã¥«¥Ã¥Á¥ç¡£¥À¥ó¥Æ¡¢¥Ú¥È¥é¥ë¥«¤Èʤֻí¿Í¤Ç¤¹¡£¤Ê¤ó¤È¤¤¤Ã¤Æ¤âµÜÄî¤Î¤´ÉØ¿Íã¤Î¡Ö¤ªµ¤¤ËÆþ¤ê¡×¡£

¥Ü¥Ã¥«¥Ã¥Á¥ç¤ÎÃÎŪÀöÎý¤ÈÀ¤Â¯Åª¶µÍܤ¬¡¢¥Ê¥Ý¥ê¤Î½÷À­Ã£¤òÉ®¤ËºÜ¤»¤¿»þÂå¡£

¡ÖÀô¤Î¤Û¤È¤ê¤Ë¤Æ¡Á¡×¤Ç¤Ï¤¸¤Þ¤ë¥½¥Í¥Ã¥È¤Î¡Ö¥Ç¥£¥¢¥Ê¤Î¼íÎÄ La caccia di Diana¡×¤¬¤¢¤ê¤Þ¤¹¡£

¤³¤Î¡Ö¥Ç¥£¥¢¥Ê¤Î¼íÎġפϡ¢¥¸¥ã¥ó¡á¥¢¥ó¥È¥ï¡¼¥Ì¡¦¥ô¥¡¥È¡¼¡¢¥Ö¡¼¥·¥§¡¢¤½¤·¤Æ¥ë¥Î¥ï¡¼¥ë¤ÎºîÉʤˤ⤢¤ê¤Þ¤¹¡£
¡Ö¥Ç¥£¥¢¥Ê¤Î¼íÎġס¢¡Ö¥Ç¥£¥¢¥Ê¤Î¿åÍá¡¢ÆþÍá¡×¤Û¤«
¥Õ¥é¥ó¥½¥ï¡¦¥Ö¡¼¥·¥§¡¿¥É¡¼¥àÊɲè
¥Ñ¥ë¥Þ¡¦¥ô¥§¥Ã¥­¥ª¡¿¥Õ¥§¥Ç¥ê¡¼¥³¡¦¥Á¥§¥ë¥ô¥§¥Ã¥ê


¥«¥ë¥í¡¦¥¸¥å¥¼¥Ã¥Ú¡¦¥é¥Ã¥Æ¥£¡¿¥Õ¥©¥ó¥Æ¡¼¥Ì¥Ö¥í¡¼ÇÉ
¥¤¥ë¡¦¥É¥á¥­¥Ë¡¼¥Î¡¿ ¡©¥Þ¥ê¥ª ¥é¥â¡©¡¿¥Æ¥£¥Ä¥£¥¢¡¼¥Î¡¦¥ô¥§¥Á¥§¥Ã¥ê¥ª

¥Ê¥Ý¥ê»þÂå¤ÎºîÉʤˤϡ¢¥À¥ó¥Æ¤ä¤Ú¥È¥ë¥«¤ÎÊÒÎÚ¤¬¤ß¤é¤ì¤ë¡ÖFilocolo ¥Õ¥£¥í¥³¥í¡×¡¢¡ÖFilostrato ¥Õ¥£¥í¥¹¥È¥é¡¼¥È¡×¤ä¡ÖTeseida ¥Æ¥¼¥¤¥¿¡×¤¬¡¢¤³¤Î¡Ö¤ªµ¤¤ËÆþ¤ê¡×¤Îº¢¤Ç¤¹¡£

Éã¤ÎÇË»º¡¢¤½¤·¤ÆÎø¿Í¥Õ¥£¥¢¥ó¥á¥Ã¥¿¤ò¼º¤Ã¤Æ¡¢¥Ê¥Ý¥ê¤«¤é¥Õ¥£¥ì¥ó¥Ä¥§¤Ë¸þ¤«¤¤¤Þ¤¹¡£1340ǯ¤Î¤³¤È¡£

¤³¤Î¥Õ¥£¥ì¥ó¥Ä¥§»þÂå¤ÎºîÉʤϡ¢¡Ö¥¢¥á¡¼¥È Ameto¡×¡¢¡Ö°¦¤Î¸¸±Æ Amorosa Visione¡×¡¢¡Ö¥Õ¥£¥¢¥ó¥á¥Ã¥¿ Fiammetta¡×¡¢¡Ö¥Õ¥£¥¨¥¾¥ì¤ÎÍÅÀº Ninfale Fiesolano¡×¡¢¡Ö¥³¥ë¥Ð¥Ã¥Á¥ç Corbacio¡×¤Ê¤É¤¬¤¢¤ê¤Þ¤¹¡£

¥Ú¥È¥é¥ë¥«¤È¥Ü¥Ã¥«¥Ã¥Á¥ç¤Ï¡¢¿Æ¤·¤¤»ÕÄï´Ø·¸¤Ç¤¹¤¬¡¢¥À¥ó¥Æ¡¦¥¢¥ê¥®¥¨¡¼¥ê¤È¤Ï¡¢È¾À¤µª¤Û¤É¤Îº¹¤¬¤¢¤ê¤Þ¤¹¡£¤½¤Î¥À¥ó¥Æ¤Î¡Ö¥³¥á¥Ç¥£¥¢ Commedia¡×¤ò¡¢¥Ü¥Ã¥«¥Á¥ª¤¬Âº¾Î¤·¡Ö¥Ç¥£¥ô¥£¡¼¥Ê ¥³¥á¥Ç¥£¥¢ La Divina Commedia¡Ê¿ÀÀ»¤Ê¤ë´î·à¡Ë¡×¡¢¤½¤·¤Æ¡Ö¥é ¥Ç¥£¥ô¥£¡¼¥Ê La Divina¡Ê¿À¶Ê¡Ë¡×¤ÈÄêÃ夵¤»¤Þ¤·¤¿¡£
Die Liebesbox. CD

Die Liebesbox. CD

Giovanni Boccaccio¡Ê¥¸¥ç¥Ð¥ó¥Ë¡¦¥Ü¥Ã¥«¥Ã¥Á¥ç¡Ë
Stendhal¡Ê¥¹¥¿¥ó¥À¡¼¥ë¡Ë
Anton Tschechow¡Ê¥¢¥ó¥È¥ó¡¦¥Á¥§¡¼¥Û¥Õ¡Ë
Emile Zola¡Ê¥¨¥ß¡¼¥ë¡¦¥¾¥é¡Ë
1350ǯÂå¤Ë¤Ï¡¢¡ÖËҲΠBuccolicum Carmen¡×¡¢¡Ö̾ÉØ¿ÍÅÁµ­ Juana I de Anjou¡×¡¢¡Ö¥À¥ó¥Æ»¿ÈþÏÀ Vita di Dante¡×¤Ê¤É¤¬¤¢¤ê¡¢1370ǯÂå¤Ë¤Ï¡¢¥À¥ó¥Æ¤Î¡Ö¥é ¥Ç¥£¥ô¥£¡¼¥Ê ¡×¤Î¹ÖµÁ¼Ô¤Ë¤âǤ̿¤µ¤ì¤Æ¤¤¤Þ¤¹¡£

¤³¤¦¤·¤¿¡¢¥À¥ó¥Æ¤È¥Ù¥¢¥È¥ê¡¼¥Á¥§¡¢¥Ú¥È¥é¥ë¥«¤È¥é¥¦¥éƱÍͤˡ¢¥Ü¥Ã¥«¥Ã¥Á¥ç¤È¥Õ¥£¥¢¥ó¥á¥Ã¥¿¤È¤¤¤¦¼«ÅÁ¤ÎÎø°¦¤ÎºîÉʲ½¤ä¡¢¶÷ÏᢼÂÏᢤ½¤·¤Æ¸¦µæ¤Ê¤É¤Î½ñʪ¡¢³°¸ò¤È¤·¤Æ¤ÎÇɸ¯¡¢¹ÖµÁ¤Ê¤É¤È¡¢¥¤¥¿¥ê¥¢Ê¸³Ø¤òÂåɽ¤¹¤ë·æºî¤ä³èÆ°¤ò¹Ô¤Ã¤Æ¤­¤Þ¤·¤¿¤¬¡¢¤ä¤Ï¤ê¡¢¡Ö¥Ç¥«¥á¥í¥ó¡×¤Ê¤ó¤Ç¤¹¤è¤Í¤§¡ª

¥í¥Þ¥óÇÉ ¥Õ¥é¥ó¥Ä¡¦¥Õ¥©¥ó¡¦¥¹¥Ã¥Ú¡ÊFranz von Suppé 1819¡Ý1895¡Ë¤Î¥ª¥Ú¥ì¥Ã¥¿¡Ö¥Ü¥Ã¥«¥Ã¥Á¥ç¡×¤Ï¡¢1879ǯ¤Ë½é±é¤µ¤ì¡¢¥Ç¥«¥á¥í¥ó¤ÎÁÞÏä˥ܥ嫥åÁ¥ç¤Î¼«ÅÁŪ¤ÊÉôʬ¤ò¥ß¥Ã¥¯¥¹¤µ¤»¤¿¥¹¥È¡¼¥ê¡¼¤Ç¤¹¤¬¡¢¤â¤È¤â¤È¥Ü¥Ã¥«¥Ã¥Á¥ç¤Î¿¤¯¤Î»í¤Ï¡¢¥Ü¥Ã¥«¥Ã¥Á¥ç¼«¿È¤ÎÂ賤ò¿¥¤ê¸ò¤¼¤¿¤â¤Î¤Ç¤¹¡£¥Ü¥Ã¥«¥Ã¥Á¥ç¤Î¥Ç¥«¥á¥í¥ó¤Ë¤Ï¡¢Ê¹¤­³Ð¤¨¤Î¤¢¤ë̾Á°¤¬Åоì¿Íʪ¤Ë¤Ä¤±¤é¤ì¤Æ¤¤¤Þ¤¹¡£

¤³¤Îʪ¸ì¤Ï¡¢¥Õ¥£¥ì¥ó¥Ä¥§¤Î¥µ¥ó¥¿¡¦¥Þ¥ê¥¢¡¦¥Î¥ô¥§¥Ã¥é¶µ²ñÁ°¡Ê½÷À­¤Î³§ÍͤˤÏÀи´¤Ç¤ªÆëÀ÷¤ß¡Ë¤«¤é»Ï¤Þ¤ê¤Þ¤¹¡£

£·¿Í¤ÎÈþ½÷¤È3¿Í¤ÎÀÄǯ¤Î¡¢¡ÖÏÈʪ¸ì¡×(frame story)¤È¤¤¤¦¡¢¥¸¥§¥Õ¥ê¡¼¡¦¥Á¥ç¡¼¥µ¡¼¤Î¡Ö¥«¥ó¥¿¥Ù¥êʪ¸ì¡×¤ÈƱ¤¸·Á¼°¡£

¤³¤Îɽ»æ¤Ï¡¢°ÊÁ°¤Î¡Ö¥ì¥ª¥Ê¥ë¥É¡¦¥À¡¦¥ô¥£¥ó¥Á ¥É¥ó¥Ê¡×¤Ç¡¢¥Á¥é¥ê¤È¤´¾Ò²ð¤·¤¿¥Ô¥¨¥í¡¦¥Ç¥£¡¦¥³¥¸¥â¤Î¡Ö¾ÓÁü²è ¥·¥â¥Í¥Ã¥¿¡¦¥ô¥§¥¹¥×¥Ã¥Á¡×¡£

¸½ºß¤Ï¡¢¤³¤Î¥·¥â¥Í¥Ã¥¿¤Îɽ»æ¤Î¡ÖTHE Decameron¡×¤Ï¤Ê¤¯¤Ê¤Ã¤Æ¤¤¤Þ¤¹¤¬¡¢¥Æ¥£¥Ä¥£¥¢¡¼¥Î¤Î¡Ö¥¦¥ë¥Ó¥Î¤Î¥ô¥£¡¼¥Ê¥¹¡×¤Î¤â¤Î¤¬¤¢¤ê¤Þ¤¹¡£

¥µ¥ó¥É¥í¡¦¥Ü¥Ã¥Æ¥£¥Á¥§¥ê¤â¡¢¥Ü¥Ã¥«¥Ã¥Á¥ç¤Î¡Ö¥Ç¥«¥á¥í¥ó Decameron ¡×¤«¤é¡¢1483ǯ¤Ë¡¢¡Ö¥Ê¥¹¥¿¥¸¥ª¡¦¥Ç¥ê¡¦¥ª¥Í¥¹¥Æ¥£¤Îʪ¸ì¡¡Âè1¡ÁÂè4¤ÎÁÞÏáפòºîÉʲ½¤·¤Æ¤¤¤Þ¤¹¡£¤½¤Îɽ»æ¤Î¡Ö¥Ç¥«¥á¥í¥ó¡×¤â¤¢¤ê¤Þ¤¹¡£
Lo Mejor del Decameron (Clasicos de Bolsillo: Cuentos) by Giovanni Boccaccio

ÀäÀ¤¤ÎÈþ½÷¤È¤¤¤ï¤ì¤¿¥·¥â¥Í¥Ã¥¿¤ä¡¢Èþ¤Î¾Ýħ¤Ç¤â¤¢¤ë¥Ó¡¼¥Ê¥¹¤Ï¡¢¥¸¥ç¥ó¡¦¥­¡¼¥Ä¡¡¥¨¥ó¥Ç¥£¥ß¥ª¥ó¤Î¡Ö±Ê±ó¡×¤È¤¤¤¦»í¤Î°ìÀá¤ò»×¤¤½Ð¤µ¤»¤Þ¤¹¡£

Èþ¤·¤¤¤³¤È¤Ï±Ê±ó¤Ê¤ë´î¤Ó¡£

²Ì¤¿¤·¤Æ¤½¤Î±Ê±ó¤Ê¤ë´î¤Ó¤È¤ä¤é¤Î¡ÖÈþ¡×¤Ï¡¢±Ê±ó¤Î¤â¤Î¤Ê¤Î¤Ç¤·¤ç¤¦¤«¡£
The Decameron
The Decameron
Giovanni Boccaccio

¥¸¥ç¥Ð¥ó¥Ë¡¦¥Ü¥Ã¥«¥Ã¥Á¥ç¤Î¥Ç¥«¥á¥í¥ó¤Ï¡¢Àè¤Ë¤âµ­¤·¤¿¤è¤¦¤Ë¡¢½Ê½÷¤È¿Â»Î¤Î10¿Í¤¬¤½¤ì¤¾¤ìʪ¸ì¤ê¤ò¸ì¤ë¤Î¤Ç¤¹¤¬¡¢ÈࡦÈà½÷¤é¤Ï¡¢»à¤Î¥Ú¥¹¥È¤Î»þÂå¤Ë´ó¤ê½¸¤Þ¤ê¡¢Æ¨ÈòÀè¤Î´Û¤ÇÏäò¤Ï¤¸¤á¤ë½½Æü´Ö¡£

¹õ»àɤȤ¤¤ï¤ì¤ë¥Ú¥¹¥È¡£Ëâ½÷¼í¤ê¤È¤È¤â¤ËÇ­¤¬»¦¤µ¤ì¡¢¥Ú¥¹¥È¤Î¶Ý¤ò¤â¤ÄÁͤ¬ÈË¿£¤·¤Þ¤¹¡£Ëâ½÷¼í¤ê¤Ï12À¤µª¤«¤é¤Ï¤¸¤Þ¤ê¡¢14À¤µª¤«¤é17À¤µª¤Ë¤«¤±¤Æ¥è¡¼¥í¥Ã¥Ñ¤Ë¹­¤¬¤ê¤Þ¤¹¡£

¥Ú¥¹¥È¤Ï¡¢14À¤µª°ÊÁ°¤Ë¤âή¹Ô¤·¤Æ¤¤¤Þ¤¹¤¬¡¢14À¤µª¤È¤¤¤¦»þÂ夬¡¢¤â¤Ã¤È¤â¿Í¤¬»à¤ò¶²¤ì¤¿»þÂå¤À¤Ã¤¿¤Î¤Ç¤Ï¤Ê¤¤¤Ç¤·¤ç¤¦¤«¡£

¤½¤·¤Æ»äã¤Ï¡¢¥Ú¥¹¥È¤ò¶²¤ì¤ë´í¸±¤Ï¡¢¤Þ¤Ã¤¿¤¯¤Ê¤¤¤Î¤Ç¤·¤ç¤¦¤«¡£¸½Âå¤Î¥Ú¥¹¥È¤Ï¥¨¥Ü¥é¡£´¶À÷¼Ô¤Î50¡Á90¡ó¤¬»à¤Ë»ê¤ë¥¦¥£¥ë¥¹¡£°äÂΤ«¤é¤â´¶À÷¤¹¤ë¶²¤í¤·¤¤¥¨¥Ü¥é¡£¥¦¥¤¥ë¥¹¤Ï¤¢¤Þ¤ê¤Ë¤âÆÍÁ³¤Ë¤ä¤Ã¤Æ¤­¤Æ¡¢¤¢¤Ã¤È¤¤¤¦¤Þ¤ËÌ¿¤ò¤â¤Ã¤Æ¤¤¤¯¡£»à¤Î³®Àû¤Ç¤¹¡£

À¸¤È»à¤Î¤¢¤¤¤À¤Ë¡¢¸°¤Î¤Ê¤¤Èâ¤òÊĤ᤿¤À¤±¤Ç¤¹¤«¤é¡¢»à¿À¤¬¤³¤Ã¤½¤ê¤ÈÆþ¤ê¹þ¤ó¤Ç¤¯¤ë¡£¥¸¥ç¥ó¡¦¥­¡¼¥Ä¡¡¥¨¥ó¥Ç¥£¥ß¥ª¥ó¤¬ë𤦱ʱó¤È¤Ï¡¢¿®Íê¤ËÃͤ·¤Ê¤¤Ñ³¤¤¤â¤Î¤Ê¤Î¤Ç¤Ï¤Ê¤¤¤Ç¤·¤ç¤¦¤«¡£

Loxstedt, St. Marien: Wandmalerei, um 1450

À»¥Þ¥ê¥¢¡Ê¥Þ¥ê¥¨¥ó¡Ë¶µ²ñ¡¡¥É¡¼¥àÊɲ衡1450ǯº¢

¥¯¥é¡¼¥Ê¥Ï(Lucas Crahach der Aeltere)¤¬¼ê¤¬¤±¤¿º×ÃŤ¬¤¢¤ë¶µ²ñ¤Î¥É¡¼¥àÊɲ衣Âç³ù¤ò¤â¤Ä»à¿À¤«¤é¡¢The Triumph of Death¡½»à¤Î³®Àû¤Î¤è¤¦¤Ç¤¹¡£
»à¤Î¾¡Íø¡¡¤½¤·¤Æ»à¤ÎÉñƧ
¥Ô¡¼¥Æ¥ë¡¦¥Ö¥ê¥å¡¼¥²¥ë ¡Ö»à¤Î¾¡Íø¡×
¥«¥ó¥Ý¥µ¥ó¥È¶µ²ñ¡¡»à¤Î¾¡Íø¡¡¥Ö¥ª¥Ê¥ß¡¼¥³¡¦¥Ö¥Õ¥¡¥ë¥Þ¥Ã¥³
¥é¡¦¥Õ¥©¥ë¡¦¥¸¥å¥ë¥Í¡¦¥ª¡¦¥¸¥ã¥Ý¥ó 2007¡¡¥Õ¥é¥ó¥Ä¡¦¥ê¥¹¥È ±éÁÕͽÄê


Memento Mori¡¡
¡ÖDanse macabre by ¥¢¥ó¥ê¡¦¥«¥¶¥ê¥¹¡×

¥¢¥ó¥ê¡¦¥«¥¶¥ê¥¹¤Î»í ¡Ö»à¤ÎÉñƧ¡×¡¡ÆüËܸìÌõ
¥¢¥ó¥ê¡¦¥«¥¶¥ê¥¹ ¥¸¥ã¥ó¡¦¥é¥ª¡¼¥ë¤Îɮ̾
½÷À­¤Î»Ñ¤ÎÊѲ½ ¡¡¥Ï¥ó¥¹¡¦¥Ð¥ë¥É¥¥¥ó¥°¡¦¥°¥ê¡¼¥ó¤ÎºîÉʤ«¤é
¡Ö¿ÍÀ¸¤Î»°»þÂå¤È»à¡×¡¢¡Ö¾¯½÷¤È»à¡×
¡Ö½÷¤Î¼·»þÂå¡×¡¢¡Ö¿ÍÀ¸¤Î»°»þÂå¤È»°Èþ¿À¡×
¥Ð¡¼¥ó¥È¡¦¥Î¥È¥± ¡Ö»à¤ÎÉñƧ¡×¡ÊÆ󥰥ꥹ¥ÆÇîʪ´Û¡Ë
¥·¥§¥¤¥¯¥¹¥Ô¥¢¡¡¼·¤Ä¤Î»þÂå
¿ÍÀ¸¤Î»Ò¸áÀþÄ̲á/¥â¥í¡¼ ¿ÍÎà¤ÎÀ¸


¥µ¥ó¡á¥µ¡¼¥ó¥¹¡¡¥Ô¥¢¥Î¤ò°Ï¤ó¤Ç
¥é¡¦¥Õ¥©¥ë¡¦¥¸¥å¥ë¥Í¡¦¥ª¡¦¥¸¥ã¥Ý¥ó 2007
¥µ¥ó=¥µ¡¼¥ó¥¹ ±éÁÕͽÄê
¥µ¥ó¡á¥µ¡¼¥ó¥¹¤È½¸ÃľÓÁü²è
¥µ¥ó¡á¥µ¡¼¥ó¥¹¤Î¼«²èÁü
¥Õ¥©¡¼¥ì¤¬ÉÁ¤¤¤¿¥µ¥ó¡á¥µ¡¼¥ó¥¹
Ç­¤Î²»³Ú²È / »à¤ÎÉñƧ
¥Ç¥å¡¼¥é¡¼ ¡Ö»à¤ÎÇϾè¤ê¡×


Totentanz¡¡»à¤ÎÉñƧ
¥Ï¥ó¥¹¡¦¥Û¥ë¥Ð¥¤¥ó¡ÊJr¡Ë »à¤ÎÉñƧ ¤Î¥¢¥ë¥Õ¥¡¥Ù¥Ã¥È
¥¢¥ë¥Õ¥¡¥Ù¥Ã¥È¡ÖP¡×¤È ¡Ö»à¤ÎÉñƧ¡¡Soldat ʼ»Î¡×
¥®¥å¥¤¥ç¡¦¥Þ¥ë¥·¥ã¥ó(Guyot Marchant) ¡Ö»à¤ÎÉñƧ¡×
¥Ï¥¤¥Ç¥ë¥Ù¥ë¥¯¡ÖTotentanz¡Ê»à¤ÎÉñƧ¡Ë¡×¡¿¥Ð¡¼¥¼¥ë¤Î»à¤ÎÌϼÌ

Flemish Tapestry (probably Brussels, ca. 1510-1520)

¡Ö±¿Ì¿¤Î»°½÷¿À¡×¥¿¥Ú¥¹¥È¥ê¡¼¡¡¥ô¥£¥¯¥È¥ê¥¢¡¦¥¢¥ó¥É¡¦¥¢¥ë¥Ð¡¼¥ÈÈþ½Ñ´Û
The Triumphs¡¡¡Ö¾¡Íø¡×
°¦¤Î¾¡Íø¤Ï¡¢¾¡Íø¤Î½ã·é¡£¤½¤ì¤ò»å¼Ö¤Çˤ®¤Þ¤·¤ç¤¦¡£
½ã·é¤Î»à¤Ï¡¢Ì¾ÍÀ¤Î»à¡£Ì¾ÍÀ¤Î»à¤Ï±Ê±ó¤Î̾ÍÀ¡£
±¦Â¦¤Î±¿Ì¿¤Î»å¼Ö¤ò²ö¤·Ë¤°½÷¿À¤Î¥¯¥í¥È¡ÊClotho¡Ë¡¢Ãæ±û¤Î±¿Ì¿¤ò·èÄꤹ¤ë½÷¿À¥é¥±¥·¥¹¡ÊLachesis¡Ë¡¢º¸¤Î»à¤Î½Ö´Ö¤Ë±¿Ì¿¤Î»å¤òÃǤĽ÷¿À¥¢¥È¥í¥Ý¡ÊAtropos¡Ë¤Î­²¼¤ËƧ¤ß¤Ä¤±¤é¤ì¤Æ¤¤¤ë½÷À­¤Î»à¡£°¦¤Ë¾¡Íø¤·¤¿Ì¾ÍÀ¤Î»à¤Ê¤Î¤Ç¤·¤ç¤¦¤«¡£
°úÍÑ¡§Wikipedia
»à¤ÎÉñƧ¤È¤Ï¡¢ÃæÀ¤Ëö´ü¤Î14À¤µª¤«¤é15À¤µª¤Î¥è¡¼¥í¥Ã¥Ñ¤ÇήÉÛ¤·¤¿¶÷Ïᢤª¤è¤Ó¤½¤ì¤ò¤â¤È¤Ë¤·¤¿°ìÏ¢¤Î³¨²è¤äĦ¹ï¤ÎÍͼ°¤Ç¤¢¤ë¡£La Danse Macabre¡Ê¥Õ¥é¥ó¥¹¸ì¡ËDance of death¡Ê±Ñ¸ì¡Ë¡¢ La Danza Macabra ¡Ê¸Å¥Õ¥é¥ó¥¹¸ì¡Ë¡¢Totentanz¡Ê¥É¥¤¥Ä¸ì¡Ë¤È¿¿ô¤Î¸À¸ì¤Ë¤è¤ë¸Æ¤ÓÊý¤¬Â¸ºß¤¹¤ë¡£

ÀïÌò¡¦¥Ú¥¹¥È¤Ë¤è¤ë»à¼Ô¤¬¸å¤òÀ䤿¤Ê¤¤¤¿¤á¡¢Áòµ·¤äËäÁò¤âÄɤ¤¤Ä¤«¤º¡¢¤¤¤«¤Ê¤ëµ§Åø¤â¿Í¡¹¤Î¿´¤ò°Ö¤á¤ë¤³¤È¤Ï¤Ç¤­¤Ê¤«¤Ã¤¿¡£¤ä¤ê¾ì¤Î¤Ê¤¤Èᤷ¤ß¤äÅܤê¤Ï¥Ú¥¹¥È¡á¥æ¥À¥ä¿Í±¢ËÅÀâ¤Ëž²½¤µ¤ì¡¢¥æ¥À¥ä¿ÍµÔ»¦¤¬¹Ô¤ï¤ì¤¿¡£¶µ²ñ¤Ç¤ÏÀ¸¤­»Ä¤Ã¤Æ½¸¤Þ¤Ã¤¿¿Í¡¹¤ËÂФ·¤Æ¡Ö¥á¥á¥ó¥È¡¦¥â¥ê(»à¤òÁÛ¤¨)¡×¤ÎÀⶵ¤¬¹Ô¤ï¤ì¡¢Áᤫ¤ìÃÙ¤«¤ì¤¤¤º¤ìˬ¤ì¤ë»à¤ËÈ÷¤¨¤ë¤è¤¦¤ËÀ⤫¤ì¤¿¡£¤·¤«¤·¡¢»à¤Ø¤Î¶²ÉݤÈÀ¸¤Ø¤Î¼¹Ãå¤Ë¼è¤êØᤫ¤ì¤¿¿Í¡¹¤Ï¡¢µ§Åø¤ÎºÇÃæ¡¢ÊèÃϤǤÎËäÁòÃæ¡¢¤Þ¤¿¤Ï¹­¾ì¤Ê¤É¤Ç¼«Á³È¯À¸Åª¤ËȾ¶¸Íð¤Ë¤Ê¤Ã¤ÆÅݤì¤ë¤Þ¤ÇÍ٤곤±¡¢¤³¤Î½¸ÃÄ¥Ò¥¹¥Æ¥ê¡¼¤ÎÍÍÁê¤Ï¡Ö»à¤ÎÉñƧ¡×¤È¸Æ¤Ð¤ì¤ë¤è¤¦¤Ë¤Ê¤Ã¤¿¡£

¥¤¥¿¥ê¥¢ÃÏÊý¤Ç¤Ï¥Ú¥È¥é¥ë¥«¤Î²Î½¸¡Ø³®Àû¡Ù¡ÊI Trionfi¡¢14À¤µª¸åȾ¡Ë¤Î±Æ¶Á¤ò¼õ¤±¡¢Í٤볼¹ü¤Ç¤Ï¤Ê¤¯¡¢³ù¤Ê¤É¤ò¿¶¤ê¤«¤¶¤·¤¿Åµ·¿Åª¤Ê»à¿À¤Î¿ÞÁü¤¬ÉÁ¤«¤ì¤ë¤Î¤¬ÆÃħŪ¤Ç¤¢¤ë¡£Îß¡¹¤È³¤¯»àÂΤÎÎó¤Î¾å¤ò¿Ê¤àÀï¼Ö¾å¤Ç»à¿À¤¬¸Ø¤é¤·¤²¤Ë³ù¤ò¿¶¤ê¤«¤¶¤·¤Æ¤¤¤ë³¨¤ä¡¢¿Í¡¹¤¬½¸¤Þ¤ë¼ò¾ì¤ËÆÍÁ³³ù¤ò»ý¤Ã¤¿»à¿À¤¬¤ä¤Ã¤ÆÍè¤ë³¨¤Ê¤É¤â¤¢¤ë¡£¤³¤ì¤é¤Ï¡Ö»à¤ÎÉñƧ¡×¤ËÂФ·¤Æ¡Ö»à¤Î³®Àû¡×¡¢¤Þ¤¿¤Ï¡Ö»à¤Î¾¡Íø¡×¤È¸Æ¤Ð¤ì¤ë¤¬¡¢¹­µÁ¤Î°ÕÌ£¤Ç¤Ï°ìÏ¢¤Î¡Ö»à¤ÎÉñƧ¡×¤Ë´Þ¤Þ¤ì¤ë¤³¤È¤¬Â¿¤¤¡£

Í×Ì󡦻²¹Í¡§¤Á¤¯¤Þʸ¸Ë ¥Ç¥«¥á¥í¥ó ¥Ü¥Ã¥«¥Ã¥Á¥ç¡¡Çð·§Ã£À¸ Ìõ
| Books ¡õ Writer | 00:00 | comments(0) | trackbacks(4) | pookmark |