Éö¤ÎLifeStyleConcierge¡Á¤è¤¦¤³¤½¡Á
Previous Posts
Previous Posts
PROFILE
LINKS
SELECTED ENTRIES
RECENT COMMENTS
  • ¥È¥Þ¥¹¡¦¥²¥¤¥ó¥º¥Ð¥é¡ÊThomas Gainsborough)
    ¢Í ¤ß¡¼¤¿¤ó (06/17)
  • ÈëÌ©¤ÎÀµ¼¼ ¥Þ¥ó¥È¥Î¥ó¸ô¼ßÉ׿Í
    ¢Í ¥é¥«¥ó (05/21)
  • 100ǯÁ°¤ÎVOGUE¡¡1909ǯ ¥¢¡¼¥Ä¡¦¥¢¥ó¥É¡¦¥¯¥é¥Õ¥Ä±¿Æ°¤Îɽ»æ¡¡1892ǯ ¥ô¥©¡¼¥°ÁÏ´©¤Îɽ»æ
    ¢Í »ûÅç¡¡Æ× (04/30)
  • ¥µ¥ó¡á¥Æ¥°¥¸¥å¥Ú¥ê¤Îé¬é¯¤È¹á¿å
    ¢Í Éö (07/03)
  • ¥µ¥ó¡á¥Æ¥°¥¸¥å¥Ú¥ê¤Îé¬é¯¤È¹á¿å
    ¢Í tabasa (07/03)
  • ¥¸¥ç¥ó¡¦¥á¥ê¥Ã¥·¥å¡¦¥¹¥È¥é¥É¥ô¥£¥Ã¥¯¡¡°Â³Ú¤ÎÌ´¡¢°Â³Ú¤Î²Î¶Ê
    ¢Í Éö (03/14)
  • ¥·¥§¥¤¥¯¥¹¥Ô¥¢¡Ö¥Ï¥à¥ì¥Ã¥È¡×¤«¤é¡¡°¦¤·¤Î¥ª¥Õ¥£¡¼¥ê¥¢
    ¢Í Éö (03/14)
  • ¥¸¥ç¥ó¡¦¥á¥ê¥Ã¥·¥å¡¦¥¹¥È¥é¥É¥ô¥£¥Ã¥¯¡¡°Â³Ú¤ÎÌ´¡¢°Â³Ú¤Î²Î¶Ê
    ¢Í E=MC2 (03/09)
  • ¥·¥§¥¤¥¯¥¹¥Ô¥¢¡Ö¥Ï¥à¥ì¥Ã¥È¡×¤«¤é¡¡°¦¤·¤Î¥ª¥Õ¥£¡¼¥ê¥¢
    ¢Í gochin (02/14)
  • ¼Ì¿¿À°Íý¡¡40¿ôǯÁ°¤Î¼Ì¿¿(¾¼ÏÂ40ǯÂå¡Á¡Ë
    ¢Í Éö (10/19)
RECENT TRACKBACK
  • ¥¢¥¬¥µ¡¦¥¯¥ê¥¹¥Æ¥£¡¼ ¡Ö̵¼Â¤Ï¤µ¤¤¤Ê¤à¡× ¥è¥Ö¤Î¶ìǺ
    ¢Í RE+nessance (07/10)
  • Dear, dear Norland¡¡¥Þ¥ê¥¢¥ó¤Îò¤­ ¡ÖʬÊ̤È¿´¶¡×Âè5¾Ï¡¡ÈéÆù¤Ê¿ÍÀ¸
    ¢Í KOBAKO (04/27)
  • ¥Ï¥Î¡¼¥ô¥¡¡¼Ä«¡¡±Ñ¹ñ¤ÎÈþ¾¯½÷»ÐË夿¤Á¤È¥ª¡¼¥¹¥Æ¥£¥ó¤Î»ÐË夿¤Á
    ¢Í RE+nessance (04/25)
  • ¥¸¥ç¥ó¡¦¥À¥ó¥«¥ó¡¡¿ÀÏäÈÅÁ¾µ¤Î¿Í¡¹¤Î¹Ô¿Ê ¡Ö°¦¤Î²¾ÌÌ¡×
    ¢Í RE+nessance (03/13)
  • ¥Ç¥£¡¼¥Î¡¦¥Ð¥ë¥¹ ¥¤¥ô¤Î¸¶ºá
    ¢Í RE+nessance (02/07)
  • ¥·¥§¥¤¥¯¥¹¥Ô¥¢¤Î¸ÀÍÕÍ·¤Ó¡¡¥ª¥Õ¥£¡¼¥ê¥¢¤Î¥Ø¥ó¥ë¡¼¥À¡¼
    ¢Í remove (12/11)
  • ¥·¥§¥¤¥¯¥¹¥Ô¥¢¤Î¸ÀÍÕÍ·¤Ó¡¡¥ª¥Õ¥£¡¼¥ê¥¢¤Î¥Ø¥ó¥ë¡¼¥À¡¼
    ¢Í RE+nessance (12/11)
  • ¥«¥ß¡¼¥æ¡¦¥Ô¥µ¥í¤Î©»Ò¡¡¥ê¥å¥·¥¢¥ó¤Î¥ª¥Õ¥£¡¼¥ê¥¢
    ¢Í XAI (11/19)
  • ¥ª¥Õ¥£¡¼¥ê¥¢¡¡ Ophelia
    ¢Í Life £Ó£ô£ù£ì£å Concierge Private (11/17)
  • ½©¤Î¥³¥ó¥µ¡¼¥È¤«¤é ¥Ý¥Ã¥×¥¹¡õ¥·¥ã¥ó¥½¥ó ¥Õ¥é¥ó¥»¡¼¥º¡Ê¥Õ¥é¥ó¥¹¤Î²Î¡Ë
    ¢Í remove (10/20)
CATEGORIES
ARCHIVES
RECOMMEND
Remaining Flowers
Remaining Flowers ¡ÊJUGEM¥ì¥Ó¥å¡¼ »¡Ë
Daniel Ost, Jean-Pierre Gabriel, Robert DeWilde
Remaining Flowers

½ÐÈǸ夹¤°¤ËÉÊÀÚ¤ì¤È¤Ê¤ê¡¢½éÈÇËܤË6Ëü±ß¤Î¥×¥ì¥ß¥¢¤¬¤Ä¤¤¤¿ÅÁÀâŪ¤ÊÂè1ºîÌܺîÉʽ¸¤È¡¢1993ǯ¤Ë½ÐÈǤµ¤ì¤¿Âè2ºîÌܺîÉʽ¸¤ÎÃ椫¤éÈ´¿è¤µ¤ì¤¿Éü¹ïÈǺîÉʽ¸¡£
RECOMMEND
Leafing Through Flowers
Leafing Through Flowers ¡ÊJUGEM¥ì¥Ó¥å¡¼ »¡Ë
Daniel Ost
À¤³¦°ìÈþ¤·¤¤ËÜ


±Ñ¹ñ¤Î¥É¥ó¥µ¥¤¥ÉŸ¤Ç¡ÖÀ¤³¦°ìÈþ¤·¤¤ËÜ¡×ÉôÌç¤Ç¶ä¾Þ¤ò¼õ¾Þ¤·¤¿¥À¥Ë¥¨¥ë¡¦¥ª¥¹¥È¤ÎÂè3ºîÌܺîÉʽ¸¤Ç¤¹¡£
RECOMMEND
¥¤¥ó¥¹¥¿¥ì¡¼¥·¥ç¥ó
¥¤¥ó¥¹¥¿¥ì¡¼¥·¥ç¥ó ¡ÊJUGEM¥ì¥Ó¥å¡¼ »¡Ë
¾¾Èø ÂÀ°ì¡£
¥¤¥ó¥¹¥¿¥ì¡¼¥·¥ç¥ó


¡Ö²Ö¤Ï¡¢¤¢¤¯¤Þ¤Ç¤â¼çÌò¤ò°ú¤­Î©¤¿¤»¤ë¤À¤±¤Îź¤¨Êª¤Ç¡¢ÌÜΩ¤Á¤¹¤®¤Æ¤Ï¤¤¤±¤Ê¤¤¤¬¡¢Åº¤¨Êª¤È¤·¤ÆºÇ¤âÁÇŨ¤Ê¤â¤Î¡×
RECOMMEND
RECOMMEND
Monet in the 20th Century
Monet in the 20th Century ¡ÊJUGEM¥ì¥Ó¥å¡¼ »¡Ë
Claude Monet, Mary Anne Stevens, George T. M. Shackelford, Royal Academy of Arts (Great Britain), Michael Leja, Boston Museum of Fine Arts
RECOMMEND
RECOMMEND
RECOMMEND
RECOMMEND
RECOMMEND
RECOMMEND
RECOMMEND
RECOMMEND
The Jewels of Lalique
The Jewels of Lalique ¡ÊJUGEM¥ì¥Ó¥å¡¼ »¡Ë
Rene Lalique, Sigrid Barten, Yvonne Brunhammer, Cooper-Hewitt Museum, Smithsonian Institution, Dallas Museum of Art
RECOMMEND
RECOMMEND
The Floral Art of Pierre-Joseph Redoute
The Floral Art of Pierre-Joseph Redoute ¡ÊJUGEM¥ì¥Ó¥å¡¼ »¡Ë
Marianne Roland Michel, Peter C. Sutton, Carolyn Rose Rebbert, Cynthia A. Drayton
RECOMMEND
RECOMMEND
RECOMMEND
RECOMMEND
RECOMMEND
MOBILE
qrcode
̵ÎÁ¥Ö¥í¥°ºîÀ®¥µ¡¼¥Ó¥¹ JUGEM
SPONSORED LINKS

07
--
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
--
>>
<<
--
Æü¡¹¤ÎÀ¸³èÈþ

Life £Ó£ô£ù£ì£å Concierge

¥¹¥Ý¥ó¥µ¡¼¥µ¥¤¥È

°ìÄê´ü´Ö¹¹¿·¤¬¤Ê¤¤¤¿¤á¹­¹ð¤òɽ¼¨¤·¤Æ¤¤¤Þ¤¹

| - | | - | - | pookmark |
¥¨¥ë¡¦¥°¥ì¥³¡¡Ìµ¸¶ºá¤Î¸æ½É¤ê

Domenikos Theotokópoulos, el Greco. Inmaculate seen by St. John, c. 1585 Church of Saint Leocadia and Saint Román

À»¥è¥Ï¥Í¤¬¤ß¤¿Ìµ¸¶ºá¤Î¸æ½É¤ê¡¡1585
¥µ¥ó¥¿¡¦¥¯¥ë¥¹Èþ½Ñ´Û




¥¨¥ë¡¦¥°¥ì¥³¤Î¢½ñ¤Ë¤Ï¥¦¥£¥È¥ë¥¦¥£¥¦¥¹¤Î¡Ö·úÃÛ½½½ñ¡×¡Êµª¸µÁ°¡Ë¤¬¤¢¤Ã¤¿¤Û¤É¡¢·úÃۤˤ⽨¤Ç¤Æ¤¤¤Þ¤·¤¿¡£

ºîÉʤǡ¢À»¥è¥Ï¥Í¤Î¼ê¤òµó¤²¤Æ¤¤¤ë¤È¤³¤í¤Ë»û±¡¤¬¤¢¤ê¤Þ¤¹¤Í¡£¤³¤Î»û±¡¤Ï¡¢¼ÂºÝ¤Ë¤¢¤Ã¤¿·úÃÛʪ¤Ç¡¢Íͼ°¤òƧ¤Þ¤¨¤ÆÉÁ¤«¤ì¤Æ¤¤¤ë¤½¤¦¤Ç¤¹¡£

¤µ¤Æ¡¢¤³¤ÎºîÉʤâ¡Ö¥è¥Ï¥Í¤ÎÌÛ¼¨Ï¿¡×¡Ê12¾Ï1Àá¡Ë¤Ë¤¢¤ë¡ÖÂÀÍÛ¤òÅ»¤¤¡¢Â­¤Î²¼¤Ë·î¤òƧ¤ß¡¢¤½¤ÎƬ¤Ë¤Ï12¤ÎÀ±¤Î´§¤òÈï¤Ã¤Æ¤¤¤¿¡×¤È¤¢¤ê¤Þ¤¹¡£ÀĤ¤°á¤Ë¹ç¾¸¤¹¤ë¥Þ¥ê¥¢¤Î¿ÞÁü¤Ç¤¹¡£¤µ¤é¤Ë¥Ð¥é¤Î²Ö¡¢¥¢¥¤¥ê¥¹¡¢¥ª¥ê¡¼¥Ö¡¢¥Ñ¡¼¥à¤Ê¤É¤¬¿ÞÁü¤È¤ª¤ê¤ËÉÁ¤«¤ì¤Æ¤¤¤Þ¤¹¤¬12¤ÎÀ±¤Î´§¤Ï¾Êά¤·¤Æ¤Þ¤¹¤Í¡£

The Virgin of the Immaculate Conception and St John by EL GRECO¡¡Museo de Santa Cruz, Toledo


¡ÖÀ»¥è¥Ï¥Í¤¬¤ß¤¿Ìµ¸¶ºá¤Î¸æ½É¤ê¡×¤Ï¡¢¤´Í÷¤Î¤è¤¦¤Ëº×ÃŲè¤Ç¡¢¤µ¤é¤Ë¥×¥ì¥Ç¥Ã¥é¤¬2Ë礢¤ê¤Þ¤¹¡£¤ªÊÙ¶¯ÉÔ­¤Ç¡¢¤³¤Î¥×¥ì¥Ç¥Ã¥é¤Î¥¿¥¤¥È¥ë¤ÈºîÉʤ¬¤Ï¤Ã¤­¤ê¤·¤Þ¤»¤ó¡£

¸åÆü¤ï¤«¤ê¤Þ¤·¤¿¤éÄɵ­¤·¤Æ¤ª¤­¤Þ¤¹¤Í¡£

¤³¤Î¡ÖÀ»¥è¥Ï¥Í¤¬¤ß¤¿Ìµ¸¶ºá¤Î¤ª½É¤ê¡×¤Î¤Û¤«¤Ë¥µ¥ó¥¿¡¦¥¯¥ë¥¹Èþ½Ñ´Û¤Ë¤Ï¡¢¤â¤¦°ìËçÈþ¤·¤¤¡Ö̵¸¶ºá¤Î¸æ½É¤ê¡×¤¬¤¢¤ê¤Þ¤¹¤¬¡¢¤³¤Á¤é¤âƱ¤¸¤¯ÎéÇÒƲ¤Îº×ÃŲè¤À¤Ã¤¿¤è¤¦¤Ç¤¹¡£




The Immaculate Conception ca. 1608-14 El Greco and Jorge Manuel Theotokópoulos Museo Thyssen-Bornemisza, Madrid

̵¸¶ºá¤Î¸æ½É¤ê¡¡1608-14¡¡¥Æ¥£¥Ã¥»¥ó¡á¥Ü¥ë¥Í¥ß¥Ã¥µÈþ½Ñ´Û
¥¨¥ë¡¦¥°¥ì¥³¤È©»Ò¥Û¥ë¥Ø¡¦¥Þ¥Ì¥¨¥ë¡¦¥Æ¥ª¥È¥³¥×¥ê


ÀµÄ¾¤Ë¿½¤·¤Þ¤¹¤È¥¨¥ë¡¦¥°¥ì¥³¤Ë¤Ï´Ø¿´¤¬¤Ê¤«¤Ã¤¿¤È¸À¤¤¤Þ¤¹¤«¡¢·ù¤¤¤ÊºîÉʤ¬Â¿¤«¤Ã¤¿¤ó¤Ç¤¹¤Í¡£¤½¤ì¤ÏÎɤ¯¤Ê¤¤²èÁü¤ä²è½¸¤ò¸«¤Æ¤¤¤¿¤«¤é¤Ç¡¢Îɤ¤²è½¸¤ä¼Ì¿¿¤Ê¤É¤ò¸«¤»¤Æ¤â¤é¤Ã¤ÆǼÆÀ¡£¤Ê¤«¤Ç¤â¹¥¤­¤ÊºîÉʤò¾Ò²ð¤·¤Þ¤¹¡£

The Immaculate Conception¡¡Museo Thyssen-Bornemisza, Madrid


¤Ê¤¼¤À¤«À»Êì¥Þ¥ê¥¢¤¬¾¯½÷Ì¡²è¤ä¾¯Ç¯Ì¡²è¤Î¥Ò¥í¥¤¥ó¤Î¤è¤¦¤Ç¤¹¡£¼õÂÛ¤ò´¿´î¤¹¤ë²Î¤ò¹ç¾§¤¹¤ëÅ·»È¤¿¤Á¡£

Ã褫¤éÀºÎî¤ÎÈ·¡¢À»Êì¥Þ¥ê¥¢¤Î´ãº¹¤·¤Ï¿¿·õ¤Ç¤¹¡£


¥Þ¥ê¥¢¤Î­¸µ¤Ë¤Ï¾®¤µ¤ÊÅ·»È¤¬´é¤ò¤Î¤¾¤«¤»¡¢ÃϾå¤ò¸«²¼¤í¤»¤Ð²Ö¤Ï¤¹¤Ã¤«¤ê³«¤¤¤Æ¤·¤Þ¤Ã¤¿É´¹ç¤Èé¬é¯¡£

ÃϾ夫¤é¸«¤ì¤Ð±¦¾å¤Î²â¤Î¤è¤¦¤Ê±À¤Ë¤Ï²¼¸þ¤­¤Î»°Æü·î¤¬ÉÁ¤«¤ì¤Æ¤¤¤Æ¡¢½ã·é¤ò¾Ýħ¤·¤Æ¤¤¤ë¤è¤¦¤Ç¤¹¡£º¸²¼¤Ë¤ÏÀ¶¤é¤«¤Ê¿å¤¬Î®¤ì¤ëÊ®¿å¡£

¥¨¥ë¡¦¥°¥ì¥³¤Ï¡Ö̵¸¶ºá¤Î¸æ½É¤ê¡×¤â¡¢Ž¢¼õÂÛ¹ðÃΡפËÉ餱¤Ê¤¤¤¯¤é¤¤Â¿¤¯ºîÉʤò»Ä¤·¤Æ¤¤¤Þ¤¹¤Í¡£



¢§¥¨¥ë¡¦¥°¥ì¥³´ØÏ¢µ­»ö
¥¨¥ë¡¦¥°¥ì¥³¤È¤½¤Î¹©Ë¼¡¡¼õÂÛ¹ðÃÎ
¥¨¥ë¡¦¥°¥ì¥³¤È¹©Ë¼¡¡7Ëç¤ÎÀ»°áÇíÃ¥
¥¨¥ë¡¦¥¨¥¹¥³¥ê¥¢¥ë½¤Æ»±¡¡¡¥Õ¥§¥ê¥Ú2À¤¤ÎÌ´
¥µ¥ó¡¦¥Û¥»ÎéÇÒƲ¡¡¥¨¥ë¡¦¥°¥ì¥³¡¡4Ëç¤Îº×ÃŲè
¥ª¥Ð¡¼¥ê¥§ÎéÇÒƲ¡¡¥¨¥ë¡¦¥°¥ì¥³¤Î̵¸¶ºá¤Î¸æ½É
¥¿¥Ù¥é»ÜÎű¡¡¡¥¨¥ë¡¦¥°¥ì¥³¤Îº×ÃŲè¤È¥³¥ì¥¯¥·¥ç¥ó
¥¨¥ë¡¦¥°¥ì¥³¡¡Ìµ¸¶ºá¤Î¸æ½É¤ê¡Ê¥Æ¥£¥Ã¥»¥ó¡á¥Ü¥ë¥Í¥ß¥Ã¥µÈþ½Ñ´Û¡¢¥µ¥ó¥¿¡¦¥¯¥ë¥¹Èþ½Ñ´Û¡Ë
¥µ¥ó¥È¡¦¥É¥ß¥ó¥´¡¦¥¨¥ë¡¦¥¢¥ó¥Æ¥£¥°¥ªÀ»Æ²¡¡¥¨¥ë¡¦¥°¥ì¥³¤Îº×ÃŤÈÊèÈê¡¡¥½¥Í¥Ã¥È¤òÊû¤²¤¿¥Ñ¥é¥Ó¥·¡¼¥Î

Äɵ­¡§XAI ¤¬ºîÉʵ­»ö¥ê¥ó¥¯¤ò¤·¤Æ¤¯¤ì¤Þ¤·¤¿¡£¾åµ­°Ê³°¤ÎºîÉʵ­»ö¤â¤¢¤ê¤Þ¤¹¡£

XAI¡¡¥¨¥ë¡¦¥°¥ì¥³¡¡¥ª¥ë¥¬¥¹Çì¼ß¤ÎËäÁò



 

| ART&ARTIST | 23:00 | comments(0) | trackbacks(2) | pookmark |